This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to

“This book uniquely and successfully sustains a cohesive analysis of the work, career, and reception of a single artist . . . Neil Young.” —Daniel Cavicchi, author of Tramps Like Us As a writer in Wired magazine puts it, Neil Young is a “folk-country-grunge dinosaur [who has been] reborn (again)

The race problem in the American criminal justice system endures because of the enabling behavior of the public and of policy makers. The tendency of racial justice advocates to point the finger of blame chiefly at law enforcement, or racial conservatives, or the war on drugs, or any other single

Contains contributions on the theme of popular culture, crime, and social control. This title includes chapters that tease out various criminologically relevant issues, pertaining to crime/deviance and/or the control thereof, on the basis of an analysis of various aspects and manifestations of popular culture, including music, and movies.

In the case of hip-hop, the forces of top-down corporatization and bottom-up globalization are inextricably woven. This volume takes the view that hip-hop should not be viewed with this dichotomous dynamic in mind and that this dynamic does not arise solely outside of the continental US. Close analysis of the